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Tool - Schism

I know the pieces fit 'cause I watched them fall away
Mildewed and smoldering. Fundamental differing.
Pure intention that juxtaposed will set two lovers souls in motion
Disintegrating as it goes in testing our communication
The light that fueled our fire then has burned a hole between us
So
We cannot seem to reach an end
Crippling our communication.

I know the pieces fit 'cause I watched them tumble down
No fault, none to blame it doesn't mean I don't desire to
Point the finger, blame the other, or watch the temple topple over.
To bring the pieces back together, rediscover communication

The poetry that comes from the squaring off between,
And the circling is worth it.
Finding beauty in the dissonance.

There was a time that the pieces fit, but I watched them fall
Away.
Mildewed and smoldering, strangled by our coveting
I've done the math enough to know the dangers of our second
Guessing
Doomed to crumble unless we grow, and strengthen our
Communication.

Cold silence has a tendency to atrophy any sense of compassion

Between supposed lovers. (x2)

I know the pieces fit. (x8)

"Schism" is a song by American alternative metal / progressive metal band Tool. It was the first single and music video from their third full-length album, Lateralus. In 2002, Tool won the Grammy Award for Best Metal Performance for the song. "Schism" was released as a DVD single on December 20, 2005. The DVD contains the music video, dual-commentary by David Yow, and a remix by Lustmord. "Schism" is known as a prime example of Tool's use of complex rhythms and changing meters. An extended version of the song is performed live. Song meter A possible analysis of the meter changes is found in the August 2001 issue of Guitar One magazine. As transcribed by Adam Perlmutter, the song starts in 5/4 for one measure followed by 21 measures of 6/4 (or 5/8 and 7/8 alternating), up to the first interlude, which is a bar of 3/8, three bars of 13/8, and a bar of 10/8. (This can be also interpreted as four 13/8 bars, but played with a 3/8 upbeat.) The next verse is eight bars of 6/4 followed by another interlude that fits the same pattern as the first. The next section is four bars of 6/4 followed by one bar of 11/8. Another eight-bar verse in 6/4 follows, with an interlude containing the same as before, except the final 10/8 bar is replaced with an 11/8 bar setting up the middle section, which is four bars of 7/4 before settling into a pattern of alternating 12/8 and 15/8, one bar each, twelve times. Following this, there are three bars of 4/4, a bar of 2/4, and four bars of 4/4 setting up another section, which is two bars of 9/8 followed by a bar of 10/8, that pattern again, a single bar of 9/8 followed by a 13/8 bar. This leads to an alternating set of 9/8 and 5/8, appearing four times before a bar of 9/8 and a bar of 6/8. Near the end, there is a 6/4 meter for eight bars, followed by eight bars of 4/4 to end the song. In all, the song changes meters 47 times. The band has comically said that the song is in "6.5/8".

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